Topcat7 Posted July 12, 2022 · Member Share Posted July 12, 2022 (edited) Many of you will feel that this coin is too worn and 'beat-up', for your collections, but I too am at that age when I am 'old' and 'beat-up', a little scarred and fractured around the edges. I have 'lived' and so have the coins that appeal to me. I can relate to them and their stories. That is their appeal to me. This (latest) one of mine is:- 450-350 B.C. 1/16th Shekel Silver (Billon) Authority: Mazaeus, State: Achaemenid Empire/Alexander The Great Mint: Sidon Region: Syria Location: Phoenicia Obv.: Galley Rev.: King killing lion Betlyon 27; BMC 36 (Second photo - control. Not a die match) Please post your 1/16 Shekels. Edited July 12, 2022 by Topcat7 10 Quote Link to comment Share on other sites More sharing options...
JeandAcre Posted July 13, 2022 · Member Share Posted July 13, 2022 Very cool coin, @Topcat7. And I'm on your page about coins matching those of us of a certain age. Sorry, I have a small Phoenician fractional shekel, also with a galley, but from too long ago to have pics. But the obverse of these, especially --emphatically including yours, which I can easily imagine being only better in hand-- evokes reliefs back to the Assyrians. I like how the Phoenicians kept up that kind of esthetic as late as they did 1 Quote Link to comment Share on other sites More sharing options...
Severus Alexander Posted July 13, 2022 · Supporter Share Posted July 13, 2022 My collection is very weak on Phoenician, so I picked up two recently... one is very similar to yours, which I just got in the latest Roma. But their attribution is different, and I think correct: Phoenicia, Ba`alšillem (Sakton) II AR 1/16 Shekel. Sidon, circa 401-365 BC. Phoenician galley to left; Phoenician B above, waves below / Persian king or hero, holding dagger in right hand, standing to right, fighting lion standing to left on its hind legs; ' (in Phoenician) between; all within incuse square. E&E-S Group IV.1.3.c; HGC 10, 240. 0.65g, 9mm, 2h. The other was very cheap and has a rather lived-in appearance like yours, but I have hopes it will improve with cleaning (sorry for the poor seller's photo): Given the appearance of the galley and two circles on the obverse, I think the attribution to 'Abd'astart I is also correct... though I don't know a lot about these!! 5 Quote Link to comment Share on other sites More sharing options...
Severus Alexander Posted July 13, 2022 · Supporter Share Posted July 13, 2022 15 minutes ago, JeandAcre said: evokes reliefs back to the Assyrians. I like how the Phoenicians kept up that kind of esthetic as late as they did Yes, this is very cool!! One reason why I wanted the type. 1 Quote Link to comment Share on other sites More sharing options...
shanxi Posted July 13, 2022 · Supporter Share Posted July 13, 2022 (edited) This interesting type reminds me of a coin with a very similar reverse, but in this case the king is fighting a griffin instead of a lion. The nominal is usually called Obol, but the weight is similar to a 1/16 shekel. Kilikia Uncertain Persian King AR Obol, 400-350 BC Obv.: Head of female facing slightly left Rev: King with bow and quiver, stabbing griffin on hind legs with knife AR, 0.63g, 10,3mm Ref.: Göktürk 38 Edited July 13, 2022 by shanxi 6 Quote Link to comment Share on other sites More sharing options...
JeandAcre Posted July 13, 2022 · Member Share Posted July 13, 2022 33 minutes ago, shanxi said: This interesting type reminds me of a coin with a very similar reverse, but in this case the king is fighting a griffin instead of a lion. The nominal is usually called Obol, but the weight is similar to a 1/16 shekel. Kilikia Uncertain Persian King AR Obol, 400-350 BC Obv.: Head of female facing slightly left Rev: King with bow and quiver, stabbing griffin on hind legs with knife AR, 0.63g, 10,3mm Ref.: Göktürk 38 @shanxi, this one is especially cool for (to wallow in the obvious; rarely stopped me before) demonstrating a similar motif, already carried over by Persians and 'translated' into an engraving style which, between the obverse portrait and the generally higher relief, is effectively Hellenic. 1 1 Quote Link to comment Share on other sites More sharing options...
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